I know i’m late on this but here it is – the first trailer about the upcoming transformers movie: click here
To read my related posts about them, go here. I’m pretty excited.
I know i’m late on this but here it is – the first trailer about the upcoming transformers movie: click here
To read my related posts about them, go here. I’m pretty excited.
Having read many reviews of the newly released Superman Returns, i wasn’t expecting much from film when i entered the theater. Two and a half hours later, i left feeling completely entertained and fulfilled. Feeling misled by many critics, i began to wonder why the movie was being panned by critics i generally trusted. Going back to the reviews, i found that almost every critic that gave the movie a compared it to the first two originals.
For instance the New York Times can help but repeatedly discuss the greatness of Christopher Reeve and Gene Hackman’s roles rather than the effectiveness and charm of Brandon Routh and Kate Bosworth. For instance, the NYT review actually lists all the characters of the 1978 film and only after praising the original storyline and cast does it briefly mention the actual participants in the current film:
Released in 1978, that film ushered Jerry Siegel and Joe Shuster’s original comic creation into the blockbuster age with frothy wit and a cast that included Marlon Brando in a creamy scoop of white hair and Gene Hackman in clover. Christopher Reeve, of course, wore the cape and tights, while Margot Kidder did a fine approximation of the young Katharine Hepburn at her most coltish. Valerie Perrine and Ned Beatty added some laughs, while Glenn Ford supplied a pinch of gravitas.
The NYT’s infatuation with Reeve continues later in the article:
Mr. Reeve worked the tonal changes with similar ease, delivering a superhero whose earnestness was strategically offset by his fumbling, bumbling, all-too-human twin, who was just the ticket for the post-Watergate, pre-Indiana Jones moment. Mr. Singer’s Superman, played by Brandon Routh, is a hero of rather different emotional colors, most muted……Part of the charm of Mr. Reeve’s interpretation was that a guy this impossibly handsome, who literally towers over everyone in the office, could hide behind a slouch and oversize eyeglasses.
The NYT is not the only review to do this. Roger Ebert’s review is the same:
Routh may have been cast because he looks a little like Reeve, but there are times when he looks more like an action figure; were effects used to make him seem built from synthetics? We remember the chemistry between Christopher Reeve and Margot Kidder (Lois Lane) in the original “Superman” movie, and then observe how their counterparts are tongue-tied in this one. If they had a real romance (and they did), has it left them with nothing more than wistful looks and awkward small talk?
Of course, Lois doesn’t remember the romance between her and Superman because he erased it at the end of S2, but apparently Ebert forgot that point.
What gets me about these constant comparisons to the past films is that, as a 28 year old, i don’t remember them. The first and second films came out when i was 8 months old and 2 years old. And, anyone younger than me probably doesn’t remember them nor think fondly of them. Thus, you have 2 brand new generations of viewers who are experiencing a modern Superman film for the first time. It seems that older reviewers get caught up in their own nostalgia when reviewing a remake and i’m sure older film-goers may agree with them, but for me these reviews prove the generational gap just as much as the reviews of Dumb & Dumber did when that film came out in the mid-90’s and was generally panned by all viewers.
The long and short of it – is Superman it a classic? Definitely not. But it is a very enjoyable popcorn movie and is more than enough to make the July 4th movie going experience worthwhile, as long as you haven’t seen the originals and can barely remember the Ronald Regan presidency.
I saw Cameron Crowe’s Elizabethtown last year in the theater and although i love Crowe’s movies, i left the theater thinking that it was one of his worst films to date. I also thought that that Orlando Bloom completely ruined the movie. He had no depth, was not interesting and had no redeeming value as a character.
The film, for those who haven’t see it, is about Drew (Orlando Bloom). In the beginning of the film he causes the Oregon shoe company he works for to lose hundreds of millions of dollars, is fired for his mistake, and promptly dumped by his girlfriend, Ellen. On the verge of suicide, Drew is oddly given a new purpose in life when he is brought back to his family’s small Kentucky hometown of Elizabethtown following the death of his father, Mitch, as it falls to him to make sure that his dying wishes are fulfilled. On the way home to Kentucky, Drew meets a flight attendant, Claire Colburn (Dunst), with whom he falls in love, in a romance that helps his life get back on track.
That was the movie i saw (again, which is not very good). Now, over a year later, i have learned more about what the underlying real story of Elizabethtwon might be. Apparently, Kirsten Dunst (Claire) actually plays an angel sent back to earth to save Orlando Bloom (Drew) and place him back on a heavenly path. I learned most of this from Todd Zimmerman (here). I’d like to list these facts as i see them. They certainly would make a repeat viewing much more enjoyable.
Some clues of the hidden plotline….
There are many other referecnes to Hell and God in the movie, but i think you get the idea. For me, the new-found plot doens’t change the movie’s “crappy” status. But, it does make it much more watchable and interesting. Kudos to Crowe for at least trying to put some layers into the film. It’s too bad that the first layer was so bad that i don’t care that much about the rest.
Some good quotes by Rita:
I once had the priviledge to go to the TED conference (thanks to Jules) and saw the best speech i had ever seen by Dean Kamen and his quest to fix many of the problems of the world using technology.
Now TED is broadcasting their videos on their site. I recently watched another great speech by Majora Carter who advocates environmental justice through “green” community developments in the South Bronx. Her project is the Sustainable South Bronx and her speech is here and below – it’s worth a viewing.
As for the Kamen speech, i have the DVD and i’ll post it as soon as i get it up.
12 Dartmouth students are driving their “Big Green Bus” from California to Hanover (NH) and back on nothing by Vegetable Oil and solar power. Awesome.
This story will tell you more about how these guys will grab vegetable oil from restaurants along the way to power “the bus” and the solar power is keeping the oil from thickening while also powering their laptops and cameras.
Hell ya – go Dartmouth! Check out their site at http://www.thebiggreenbus.org
If you want to show your support, here’s their route

All according to Chuck Klosterman.
Coldplay and John Cusak are screwing us….
Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves
wanted that feeling for real. They want men to adore them like Lloyd Dobbler, and men want women to think like Aimee Mann, and everyone expects all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end, and they don’t stop believing, because Journey’s Steve Perry insists we should never do that. In the 19th century, teenagers merely aspired to have a marriage that would be better than that of their parents; personally i would never be satisfied unless my marriage was a good as Cliff and Clair Huxtable’s (or at least as enigmatic as Jack and Meg White)….
depressing. But there’s more, little did we know….
….If we have learned anything from mass media, it’s that only people who can make us happy are those who don’t strike us as particularly desirable. Whether it’s Jerry Maguire or Sixteen Candles or Who’s the Boss or Some Kind of Wonderful or Speed Racer, we are constantly reminded that the unattainable icons of perfection we lust after can never fulfill us like the platonic allies who have been there all along.
Crap – i’ve been barking up the wrong tree for a long time. Maybe there’s some hope. Apparently Woody Allen is a savior, or not….
Woody Allen has made nebbish guys cool; he makes people assume
there is something profound about having a relationship based on witty conversation and intellectual discourse. There isn’t. It’s just another gimmick, and it’s no different than wanting to be with someone because they’re thin or rich or the former lead singer of Whiskeytown. And, it actually might be worse, because an intellectual relationship isn’t real at all. My witty banter and cerebral discourse is always completely contrived.
Amen, so is mine. But wait. Shit. This is disturbing.
This is all from the first chapter of Chuck Klosterman’s enjoyable read – Sex, Drugs, and Cocoa Puffs. It reads very similar to a Sports Guy column but discusses popular culture instead of sports.
Just finished the book “Another Bullshit Night in Suck City” which is a great memoir about a guy who works in a homeless shelter where his dad takes refuge. Their paths cross, the author confesses to doing some pretty crazy things and barely keeps himself from living on the streets as well. The book, written by the poet Nick Flynn, is beautifully written and totally captivating.
One little excerpt that i’m thinking of today:
If one were a a Buddhist, one might say we spend much of our lives in “monkey-mind,” swinging from story to story, our thoughts never quiet. Perhaps it is our fear, that in the silence between stories, in the moment of falling, the fear that we will never find the one story which will save us, and so we lunge for another, and we feel safe again, if only for as long as w are telling it.
Nick Flynn (345)
Taken from (here) – thought it was worth reposting…..
There's nothing like an eviction notice to make a man resort to desperate measures. Charles Webb, author of the original novel that was made into The Graduate, was facing homelessness when he decided to sell his unfinished sequel to Random House, which plans to publish the novel next year. The book will revisit Ben Braddock and his now-wife Elaine ten years later, as they home school their two children in upstate New York. The sequel is appropriately titled Home School (unless Random House changes it to simply The Graduate II — I wouldn't be surprised), and Mrs. Robinson is somehow featured in its story. Webb isn't sure whether or not a movie will be made since he doesn't know how the rights will be handled. Originally, he didn't receive a dime for the rights to The Graduate. His last novel, New Cardiff, was adapted into the film Hope Springs.
Obviously if there is a film, the cast of the original would not return (although it would be interesting to have Katherine Ross return as her character's mother), and the Mike Nichols film is such a classic that anybody cast in the iconic roles will spark controversy and protest. Then there's the matter of the soundtrack. Okay, that is easy — a number of artists today are going for that Simon and Garfunkel sound. See the Garden State soundtrack for evidence. The thing I'm most worried about is that now we may get a sequel to Rumor Has It to explain its character's connection to Webb's follow-up.
Just finished Chuck Klosterman's "Fargo Rock City" which was great. I love it anytime someone deconstructs or discusses GNR. I found an interview Chuck gave to Spin magazine where he discusses NY city.
Living in New York makes you younger and older at the same time. It makes you younger because everyone who lives here is a drunk, and everyone stays out late, and everybody goes to shows, and everybody cares about rock bands, and movies, and generally things in America that only young people are interested in. It makes you a little bit older in the sense that everyone is jaded and has a cynical view of the world and is very distrustful.
Chuck Klosterman Interview, Spin Magazine 7/21/2005