Portfolio’s Failure

 

I’ve heard a lot of talk about the decline of print media these days. There were great speeches by Clay Shirky and Steven Johnson at SXSW.  Recently there was news of Conde Nast’s Portfolio magazine shutting down after plowing through $100 million in two years.  Some people have used this as an indication of the flawed model of print, but reading this story from an ex-employee i think it’s more an issue of mismanagement and lack of execution.

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Here are some exerpts:

First, let me amplify, the magazine was a failure. It was not market conditions or the general economic meltdown that forced Si’s hand, it was a failure to create something that people wanted to read.

Yet in too many ways to enumerate here, we did not operate in what I fondly call a reality-based environment. In Lipman’s meetings, firings were never firings, stories were never bad or ill timed, mistakes were never made. The air had long been sucked out of that room, and few staffers seemed to believe anymore in the mission of the place, despite a collective desire, and I mean this, to do as good a job as they could do, given the circumstances.

Would the magazine succeeded if it was run currectly?  Who knows, but i do know from past experience at former companies that sometimes too much money is a bad thing as there is no urgency or common goal.  And when you have a leader making decisions that don’t make sense, you can’t help by become disillusioned and discouraged.  That seems to be what happened here.

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Babel Tales by Peter Funch

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This is pretty cool.   A Danish photographer, Peter Funch, who lives and works in New York City has created a photo series called “Babel Tales” which consists of pictures of people passing New York City street corners.

Every photo is an edit of several photo’s he took at exactly the same spot in a period of two weeks. He then Photoshopped the images he captured to create the Babel Tales series.

The pictures are all pretty cool.  As a former New Yorker, i think these do a great job of catching the energy of the sidewalk.  People doing their own thing and creating a dynamic piece of art every second of the day.

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For a view of the whole series check out the Flickr photos

The best movies are like vintage port

Cover of "Pulp Fiction [UMD for PSP]"

Some movies get better and better the more you watch them and sometimes you pop a flick in 20 years after you first viewed it and it’s the best viewing yet.  The Sports Guy explains this by comparing movies to wine:

Most movies are like chardonnays or pinot noirs — you can drink them right away or any time within a span of 10 years. Many cabernets, Bordeaux and Barolos hold their vintage really well and you can actually enjoy them for as along as 10-20 years. Kinda like “Midnight Run” or “Hoosiers.” The best vintage ports are drinkable right away (although it’s not advised), but they’re specifically designed to get better and better the more they age. So, if you feel that way about a few of your favorite movies, I’d say that’s your vintage port collection. By the way, my mom helped me write this paragraph.

These movies for me are Boogie Nights, Spinal Tap, Rushmore, Good Will Hunting, Almost Famous, and Pulp Fiction. What’s your vintage port collection?

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The movie Crash is #1 on Netflix

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I read a really interesting article today.  It turns out that since 2005 the movie Crash has been the top rented movie from Netflix.  That’s 4 years of renting.  Crazy to think about.  The article interviews the writer/director Paul Haggis about this phenomenon. He has no idea why this is the case and has some funny quotes:

“I just assumed it was some sort of anomaly,” Haggis told the Tribune recently. “I have no idea why anyone went to the movie in the first place, let alone rent it. It was a little independent film, and when people started to see it, I was amazed.”

“It doesn’t make it any better of a film. I just know that these were things that were upsetting me, and I wanted to get them out,” said Haggis. “I happened to like my second film [‘In the Valley of Elah’] better than ‘Crash,’ but no one went to see it.”

It doesn’t mention that maybe it’s because it won the Academy Award for Best Picture and nobody saw so everyone put it in their queue.  I wonder how many people got it delivered to them and sent it right back so they could get disk 3 of House a little bit faster.

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Fred Wilson's Take on Twitter

Image representing Twitter as depicted in Crun...

There’s a good video by Fred Wilson about Twitter and what he, as an investor in it, thinks about it.  What he boils it down to is three points:

  1. “the single most important is that twitter from day 1 is a platform that others can build upon”
  2. “it is very one-dimensional…it doesn’t do anything that is not in the timeline….It’s power comes from that – it’s straightforward”
  3. “Twitter is the news feed for the web” as people embed links in their tweets and it’s now an alerting system

What else is interesting is that Twitter wasn’t pitched to Fred but rather he was an early user of it and he pitched to them to try to get them to take money from Union Square Ventures.  This is why i think Fred is one of the best VC’s in the business because he uses the products.  The web is all about product.  It’s not like the industrial revolution, it is a consumer facing which means that the usability is extremely important.  He is an early adopter and gets into the weeds. I have a hard time imagining other VC’s using Twitter when it was still a part of Odeo.

[youtube=http://www.youtube.com/watch?v=Fzl5k2B84Kg]

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Wednesday's inspiration comes from Britian

picture-2This is a great 5 minute video from the British version of American Idol.  It’s the story of a 47 year old Susan Boyle and her audition for the show.  This is why the web beats mainstream TV.  The fact that i can watch this little clip which is better than 90% of the scripted shows on network television is why i have great love for the internet.

Click here to watch this clip

Top 11 Tracks of 2009 (so far)

I’ve been getting some great music over the past few months and i thought i’d share.  Here are my top 11 tracks of 2009 so far.

(1) Uylsses by Franz Ferdinand.  This band had the badass single Take Me Out a few years ago and i wouldn’t have been surprised if they ended up a one-hit wonder.  But they rebounded with a new album in 2009.  It has one good song called Lucid Dreams and another total classic here in Uylsses. The first 90 seconds get me incredibly pumped and it’s tops on my running mix. Click for the mp3.

(2) 1901 by Phoenix.  As many of you know, Phoenix is one of my favorite bands (lots of past entries). Their last album It’s Never Been Like That is a classic and one of my top 10 all-time.  They have a new album out this year called Wolfgang Amadeus Phoenix and it’s really really good.  It’s only 9 songs and 5 of them are top notch.  The best of the bunch is 1901 which is worth a listen (mp3).

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(3) and (4) Oh, No and Fitz & Dizzyspells by Andrew Bird.  There are 2 songs here and both are killer sing-songy tunes from his new Noble Beast album.  Plus, i love the whistling in the beginning of Oh, No and in the middle of Fitz & Dizzy.  The song Oh, No was the first song i got addicted to and just when i thought i was getting Bird out of my head, Fitz came along and sucked me in for another month. These songs will make you happy (especially Fitz). Here’s Oh, No mp3 and here is F&D’s mp3.

Continue reading “Top 11 Tracks of 2009 (so far)”

I Do Not Agree with the Hog Pile on Facebook

There’s a growing trend in the media to attack facebook.  It started when their redesign got pretty bad reviews, continued when their CFO left, and now is gaining steam as mainstream outlets are questioning it’s core business proposition. There are three different things here and the media is pointing to them as an indication of Facebook‘s failure.  I disagree.  Here’s why:

Product enhancements. One thing i’ve admired about Facebook is their ability to keep pushing their product forward.  They introduced a great photo experience before any of their competitors (and have grown to be #1 on the web).  Even as they were experience phenomenal growth (they hit 8 million student readers), they completely redid their home page when they introduced the News Feed.  While initially hated by their users (FB blog) and the media (Time article), it set the standard for how social networks should display user activity and is now seen as a stroke of genius.  And growth climbed even higher.  At 70 million users they then completely redid the profile page to be a feed-based page as this is the best way for users to continuously portray themselves (see Tumblr for an example).  This was hated at first too.  Now, they redone the Facebook Home page to better showcase conversations and user activity.  Is it like Twitter? Yes.  Is it hated by their users? Yes. But it is also an improvement.  More than any other company i know of, Facebook is constantly pushing to get better in all areas and doing it fearlessly.  Even if they misstep, I applaud them for it.  From my experience at AOL i’ve seen that when yoy have a large user base it’s very easy to become tentative and second-guess every move.  Not changing becomes the easiest path.  It also means you start dying.   This latest change is more an indication that they’re not dying but moving forward.

Valuation.  Facebook got an absurd $15 billion valuation from Microsoft when it sold them some equity.  That deal was more than just equity sales but it also solidified Microsoft’s relationship with them as their exclusive third-party ad provider (story).  That valuation has become a problem as every new raise that happens in the industry (Twitter,  FriendFeed) is evaluated against it.  Facebook is now raising at a more reasonable level at a $5 billion valuation.  I don’t think this is an indication of failure of FB but rather a reflection (a) that these raises are straight equity and not part of an ad sales agreement, and (b) the market is the worst it’s ever been.  I think it’s ridiculous to think that the environment is the same as it was in October 2007.

Business Model. The media talks about Facebook’s failure to make an ad business out of their inventory.   Time’s article this past week was called, “Facebook Takes a Dive: Why Social Networks Are Bad Businesses.” This is completely ridiculous.  First of all, MySpace is making money.  Let me repeat. MySpace is making money.  They were bought by Fox for $580 million and they then immediately did a deal with Google to sell ads on their search page from 2006 to 2010 for $900 million dollars (details here).  That’s a quick profit of $320 million.  Everything else on top of that year-in and year-out seems to be gravy.  The article in Time continues to say:

What is true is that social network sites have had trouble making money. MySpace was supposed to be a big part of the revenue growth at News Corp. Wall St. thought Murdoch was a genius to buy it. Last year, News Corp had to admit that MySpace would not hit its revenue targets. That is usually not the hallmark of a property that is going to take over the Internet.  Analysts believe that MySpace rival Facebook had revenue of $265 million last year. That is astonishingly low for a company that had 57 million unique visitors in the U.S. last month. And, Facebook also has a very large international user base.

So let me get this straight, even though MySpace is profitable at $500-800 million dollars a year in revenues and even though it’s generated hundreds of millions of dollars for News Corp it’s a bad business becuase they missed their revenue target last year?  That is completely ridiculous. Facebook is a differnt issue.  They have repeatedly said that they are deprioritizing ad revenue and instead focusing on growth and user engagement. Since they started saying this (starting in late 2007), they have grown from 50 to 200 million users.  I’d say that’s pretty good execution. Facebook makes about $275 million a year.  Could they make another 100-200 million if they started selling more ads on search pages and profile pages?  Absolutely.

All of these reasons above are why sensationalist articles discussing the demise of the social network drive me nuts.   Nobody knows what the future holds, but one thing that we can pretty much be sure of is that sites that have great user engagement and activity – and facebook has over 20 million users update their status at least once a day – will get the ad dollars.  Nick O’Neil has a good post on AllFacebook today on why he’s willing to pay a $34 CPM on facebook.  It’s not the silver bullet but it shows that there is a profitable end in sight for the company and it’s not necessarily the horrible business the media would like it to be.